![]() ![]() That education made me feel secure in how I approach filmmaking today, and I know that I can make anything work. Many of my classmates were great filmmakers, and some of them have won Oscars. It’s never about the budget, it’s always about telling a great story. The films I’ve made have been typically low-budget, and I can make them work because of my training and background. They give you a camera, your classmates are your crew and you have to produce an excellent movie or you’re going to get crushed by your professors and peers. You are trained as a guerrilla filmmaker. Now that I’ve had almost a 20-year career on and off, I’ve realized that it gave me the foundation for how I approach everything, especially when you don’t have all the money in the world. You kind of take it for granted when you’re in film school because you just don’t realize how valuable it is. How did your education at Tisch School of the Arts help form you as an artist? Swanson spoke with Indie Outlook about her collaboration with Miki Howard, her approach to exploring spirituality on film and the advice from Ruby Dee that changed her life. Parris delivers a tour de force performance as Howard, portraying the full arc of her evolution over the decades, as well as her complex relationships with the men in her life, including the abusive Eddie Phelps and the kind yet damaged Gerald Levert. It was a biopic on the iconic singer Miki Howard, and the actress cast in the coveted role was Teyonah Parris, who impressed me greatly in Spike Lee’s “Chi-Raq.” The resulting film, “Love Under New Management: The Miki Howard Story,” premiered June 12th on TV One, and it became the highest-rated original movie in the history of the network. When I met filmmaker Christine Swanson at this year’s Ebertfest, she was eager to discuss her upcoming project with me.
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